Helmed by Portishead co-founder the musician-producer, this sharp-edged if undernourished first film casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a comically executed chaotic run on the forest trails that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish cinemas from 17 November.
